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Guitars stuff

POD Go – “Cover Band” Preset

I use a POD Go amp when I play guitar its super awesome, portable, customizable, and sounds great. It let’s me have all the sounds wherever I go (home, school of rock, or band practice) without lugging a heavy amp or pedalboard.

Anywho, Line6 just put out a video demonstrating a preset designed for a cover band. It uses one amp with a bunch of different pedals and uses the “snapshot mode” to totally change the sound of the amp with one button press. Snapshots are essentially changing a bunch of knobs on the amp and pedals all at the same time. This gives a bunch of different tones that have a lot of variation.

The video and a link to download are below. Also below, are the settings they used (read more).
Download from Line6 here: https://uk.line6.com/customtone/tone/6106966/


I installed the preset and copied down all the settings. Here are all the settings…

#1 Wah – Weeper
#2 Modulation – Script Mod Phase
#3 Distortion – Heir Apparent
#4 Amp – Cali Texas Ch 2
#5 Cab – 2×12 Interstate
#6 Modulation Chorus
#7 Volume – Volume Pedal
#8 EQ Cali – Q Graphic
#9 Delay – Simple Delay
#10 Send/Return – Mono FX Loop

  • #0 Input Gate
    • Guitar
    • Input Gate – Off
    • Threshold – Off -48.0dB
    • Decay – Off 500ms
  • #1 Wah – Weeper (Off)
    • Position – 1
    • Fc Low – 435 Hz
    • Fc High – 1.9 kHz
    • Mix – 100%
    • Level – 0.0 dB
  • #2 Modulation – Script Mod Phase (Off FS3)
    • Rate – 1.9
    • Spread – 0.0
    • Mix – 50%
    • Level – +1.0dB
  • #3 Distortion – Heir Apparent (Off FS4)
    • Gain
      • 1 – 3.6
      • 2 – 10.0
      • 3 – 8.4
      • 4 – 6.5
    • Tone
      • 1 – 5.8
      • 2 – 5.7
      • 3 – 5.0
      • 4 – 7.7
    • Presence
      • 1 – 7.4
      • 2 – 2.4
      • 3 – 0.0
      • 4 – 1.1
    • Clipping – Distortion
    • Gain Mod – Higher
    • Level
      • 1 – 6.4
      • 2 – 3.5
      • 3 – 6.2
      • 4 – 4.3
    • Voltage – 9V
  • #4 Amp – Cali Texas Ch 2 (On)
    • Drive 1
      • 1 – 2.8
      • 2 – 5.3
      • 3 – 2.6
      • 4 – 7.8
    • Drive 2
      • 1 – 4.2
      • 2 – 3.0
      • 3 – 7.5
      • 4 – 7.8
    • Bass
      • 1 – 3.8
      • 2 – 0.0
      • 3 – 0.0
      • 4 – 0.0
    • Mid
      • 1 – 1.7
      • 2 – 4.0
      • 3 – 2.0
      • 4 – 2.0
    • Treble
      • 1 – 6.5
      • 2 – 8.4
      • 3 – 8.4
      • 4 – 8.5
    • Ch Vol
      • 1 – 6.1
      • 2 – 5.6
      • 3 – 4.7
      • 4 – 5.2
    • Shape – Normal
    • Presence
      • 1 – 6.5
      • 2 – 5.0
      • 3 – 8.6
      • 4 – 6.2
    • Master – 3.5
    • Sag – 5.0
    • Ripple – 5.0
    • Bias – 5.0
    • Bias X – 4.5
  • #5 Cab – 2×12 Interstate (On)
    • Mic
      • 1 – 47 Cond
      • 2 – 57 Dynamic
      • 3 – 7 Dynamic
      • 4 – 421 Dynamic
    • Distance – 2.0″
    • Low Cut – 80Hz
    • High Cut – 8.0kHz
    • Early Reflections – 25%
    • Level – 0.0dB
  • #6 Modulation – Chorus (Off FS5)
    • Speed – 2.5
    • Depth – 8.1
    • Predelay – 3.2
    • Wave Shape – Triangle
    • Tone – 5.0
    • Spread – 10.0
    • Mix – 50%
    • Level – 0.0dB
  • #7 Volume – Volume Pedal (On)
    • Position – 0%
    • Curve – Linear
  • #8 EQ Cali – Q Graphic (Off FS1)
    • 80Hz – +4.1dB
    • 240Hz – +4.8dB
    • 750Hz – +3.4dB
    • 2200Hz – +1.3dB
    • 6600Hz – 0.0dB
    • Level – -2.5dB
  • #9 Delay – Simple Delay (Off FS6)
    • Note Sync – 1/4
    • Feedback – 35%
    • Mix – 42%
    • Level – 0.0dB
    • Trails – On
  • #10 Send/Return – Mono FX Loop (Off FS2)
    • Send – +6.0dB
    • Return – -1.0dB
    • Mix – 100%
    • Trails – Off
  • #11 Main Out
    • Pan – Center
    • Level – 0.0dB